Diana Holmes

Middlebrow is a derogatory word that connotes blandness, mediocrity and a failed aspiration to ‚Äòhigh‚Äô culture. However, when appropriated as a positive term to denote that wide swathe of literature between the challenging experimentalism of the high and the formulaic drive of the popular, it enables a rethinking of the literary canon from the point of view of what most readers actually read, a criterion curiously absent from dominant definitions of literary value. Since women have long formed a majority of the nation‚Äôs reading public, this perspective immediately feminises what has always been a very male canon. Opening with a theorisation of the concept of middlebrow that mounts a defence of some literary qualities disdained by modernism, the book then focuses on a series of case studies of periods (the Belle √âpoque, inter-war, early twenty-first century), authors (including Colette, Ir√®ne Nemirovsky, Fran√ßoise Sagan, Anna Gavalda) and the middlebrow nature of literary prizes.

Middlebrow Matters

Diana Holmes

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